PANews reported on October 23rd that according to CoinDesk, film financing is changing through tokenization and SEC-exempt (Reg CF) crowdfunding, allowing thousands of non-accredited investors to participate and distributing dividends and secondary trading via blockchain. Robert Rodriguez raised $2 million from 2,000 fans, Pressman Film raised $2 million for its original slate and began receiving returns within six months, and Eli Roth's horror film studio reached its $5 million Reg CF fundraising limit. The article stated that this model enhances creators' ability to retain their IP and creative freedom, while making film and television accessible alternative assets.PANews reported on October 23rd that according to CoinDesk, film financing is changing through tokenization and SEC-exempt (Reg CF) crowdfunding, allowing thousands of non-accredited investors to participate and distributing dividends and secondary trading via blockchain. Robert Rodriguez raised $2 million from 2,000 fans, Pressman Film raised $2 million for its original slate and began receiving returns within six months, and Eli Roth's horror film studio reached its $5 million Reg CF fundraising limit. The article stated that this model enhances creators' ability to retain their IP and creative freedom, while making film and television accessible alternative assets.
Several Hollywood films have raised millions of dollars through tokenization
PANews reported on October 23rd that according to CoinDesk, film financing is changing through tokenization and SEC-exempt (Reg CF) crowdfunding, allowing thousands of non-accredited investors to participate and distributing dividends and secondary trading via blockchain. Robert Rodriguez raised $2 million from 2,000 fans, Pressman Film raised $2 million for its original slate and began receiving returns within six months, and Eli Roth's horror film studio reached its $5 million Reg CF fundraising limit. The article stated that this model enhances creators' ability to retain their IP and creative freedom, while making film and television accessible alternative assets.
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