The post Last Rites’ Record Box Office Makes No Sense appeared on BitcoinEthereumNews.com. The Conjuring Last Rites WB The Conjuring: Last Rites “scared up,” as box office lingo says, one of the best opening weekends for a horror movie of all time with a $187 million global haul, nearly quadrupling its budget instantly. Is it…actually good? Depends on who you ask, and while critics say one thing, its audience members who have the final say, and I think that’s a story worth laying out. I have sorted the Conjuring Universe, which includes two sets of spin-off films, into the top-rated ones, and as it turned out, with a tiebreaker, Last Rites is the lowest ranked one. But it’s about to be the most profitable in a short period of time. Here’s the list. The Conjuring – 86% critic score, 83% audience score The Conjuring 2 – 80% critic score, 82% audience score Anabelle: Creation – 70% critic score, 68% audience score Anabelle Comes Home – 64% critic score, 70% audience score The Conjuring: The Devil Made Me Do It – 56% critic score, 83% audience score The Conjuring: Last Rites – 56% critic score, 79% audience score The Nun II – 51% critic score, 72% audience score Annabelle – 28% critic score, 35% audience score The Nun – 24% critic score, 35% audience score Some interesting things to note here is that while the first installments of The Nun and Annabelle were disasters with both critics and audiences, their sequels mostly got their act together and produced better films. The other story is that despite a wide range of critic scores with a 30% difference between them, audience scores for all Conjuring movies is between a 79% and an 83% The Conjuring Last Rites WB Now, let’s do box office, leaving out Last Rites as it’s only getting started. This is wild: The… The post Last Rites’ Record Box Office Makes No Sense appeared on BitcoinEthereumNews.com. The Conjuring Last Rites WB The Conjuring: Last Rites “scared up,” as box office lingo says, one of the best opening weekends for a horror movie of all time with a $187 million global haul, nearly quadrupling its budget instantly. Is it…actually good? Depends on who you ask, and while critics say one thing, its audience members who have the final say, and I think that’s a story worth laying out. I have sorted the Conjuring Universe, which includes two sets of spin-off films, into the top-rated ones, and as it turned out, with a tiebreaker, Last Rites is the lowest ranked one. But it’s about to be the most profitable in a short period of time. Here’s the list. The Conjuring – 86% critic score, 83% audience score The Conjuring 2 – 80% critic score, 82% audience score Anabelle: Creation – 70% critic score, 68% audience score Anabelle Comes Home – 64% critic score, 70% audience score The Conjuring: The Devil Made Me Do It – 56% critic score, 83% audience score The Conjuring: Last Rites – 56% critic score, 79% audience score The Nun II – 51% critic score, 72% audience score Annabelle – 28% critic score, 35% audience score The Nun – 24% critic score, 35% audience score Some interesting things to note here is that while the first installments of The Nun and Annabelle were disasters with both critics and audiences, their sequels mostly got their act together and produced better films. The other story is that despite a wide range of critic scores with a 30% difference between them, audience scores for all Conjuring movies is between a 79% and an 83% The Conjuring Last Rites WB Now, let’s do box office, leaving out Last Rites as it’s only getting started. This is wild: The…

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